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・ Keith Henderson (artist)
・ Keith Hennessey
・ Keith Hennessy
・ Keith Henson
・ Keith Hepworth
・ Keith Herber
・ Keith Hernandez
・ Keith Herron
・ Keith Heselwood
・ Keith Hessler
・ Keith Hicks
・ Keith Higgins
・ Keith Hightower
・ Keith Hill
・ Keith Hill (footballer)
Keith Hill (musical instrument maker)
・ Keith Hill (politician)
・ Keith Hills Country Club
・ Keith Hird
・ Keith Hobbs
・ Keith Hobbs (footballer)
・ Keith Hobbs (politician)
・ Keith Hobbs (priest)
・ Keith Hodges
・ Keith Hodgson
・ Keith Hodiak
・ Keith Hoerig
・ Keith Hogg
・ Keith Holden
・ Keith Hollands


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Keith Hill (musical instrument maker) : ウィキペディア英語版
Keith Hill (musical instrument maker)
Keith Richard Hill (born 8 May 1948) is a prize winning American maker of musical instruments He has conducted research into the acoustical technology employed by musical instrument makers from 1550–1850, and used this knowledge to create hundreds of harpsichords, clavichords and other instruments. 〔("Mij Ploger strikes a chord as Spokane’s lone harpsichord maker" ). Doug Clark, ''The Spokesman-Review'', September 20, 2015 〕
==Early life and education==
Hill was born in China to missionary parents, and raised in the Philippines. He moved to the United States permanently in 1962. He attended music school at Michigan State University, studying piano and carillon with Wendell Westcott, organ with Corliss Arnold, and piano tuning and historical temperaments with Owen Jorgensen. He graduated with a Bachelor of Music in music history from Western Michigan University in 1971.
Hill became interested in making harpsichords while a student at Michigan State and built his first instrument there. He worked briefly making harpsichords for Rainer Schutze in Heidelberg, Germany and then for E.O. Witt in Three Rivers, Michigan before studying harpsichord performance with Anneke Uittenbosch at the Sweelinck Conservatory in Amsterdam, the Netherlands. He traveled around Europe making measurements of more than 150 antique harpsichords, fortepianos, clavichords, and virginals.

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